EMI music publishing
(12/23/04)
EMI Music
Jimmy Harry
Jimmy Harry is a unique songwriter that seamlessly incorporates
a wide array of musical aesthetics via his left-of-center pop.
His natural talent for coming up with creative, off beat lyrical
hooks and catchy melodic grooves perfectly compliments his genre-hopping
experimental nature, making him one of the most versatile songwriting
and production talents around. Much of his success in melding
so many influences into radio ready hits, stems from his prior
experience in writing music for theater, where he worked with
a broad variety of music-- everything from avant-garde composition
and classical, to country western and Peking opera.
An EMI Music Published writer since 1993, Jimmy has worked with
artists from all over the world, hitting the top 10 in many different
countries, including his recent contribution to the #1 debut record
from Kelly Clarkson, where Jimmy wrote the hit song 'Low' 100%.
Based in NY early in his career, Jimmy began his first songwriting
successes by penning the global hit for RuPaul, 'Supermodel, Jimmy
is also responsible for writing one of the early Kylie Minogue
smash hits 'Put Yourself In My Place.' Since then Jimmy has moved
to Los Angeles and had singles and written/produced artists as
diverse as, Lisa Loeb, Britney Spears, Ryan Cabrera, Skye Sweetnam,
Fisher Spooner, Sara Overall, Lindsey Lohan, Vitamin C. Jimmy
is also very active in scoring for film and television. He composed
and performed the theme for the Extreme Games for ESPN, several
documentaries for HBO, the BBC and Channel 4 in the UK, and commercials
for Pepsi. He also scored the film 'The Eyes Of Tammy Faye' and
the film 'Party Monster' starring Macaulay Culkin.
Jimmy's current projects include The Lovely, Marion Raven, Lindsey
Lohan, Sara Overall, Josh Kelly, JC Chavez, Katie Fitzgerald
and Kelly Clarkson.
WCPs Music Top Ten
(12/22/04) all-baseball
by willcarroll
Its year-end, so its time to look back and do Top
Ten lists. Why? Im not sure. Who started this tradition?
Why just ten? Ten Commandments? Ten fingers? Who knows, we just
follow the crowd. Music discussions at WCP get pretty crazy, so
sit back and enjoy the show. What follows is Will and Scotts
discussion of this years best
Will: Im no music critic, but I know what I like. I have
what I can describe only as eclectic tastes, leaving room for
pretty much anything that catches my ear. 2004 was a big year
for music in my head, mostly because 2003s holiday season
put an iPod in my pocket. Its barely more than half-full
now, but its pushed me away from the radio. Add in XMs
effect on my listening habits and I no longer have to listen to
Clear Channels idea of what I like. I cant recommend
these two things highly enough.
Scott: So Im putting together my list of Top 10 music releases
of 2004 when I realize, this could be the worst list Ive
ever compiled. There is not one release this year that I feel
will merit even much of a glance 10 years from now. After so many
great releases the past couple of years, 2004 was a time for a
music breather. Only my Top 2 2004 selections would have made
the Top 10 in any other year this decade. The proliferation of
teenage idols, emo-aners, and Linkin Park wannabes seem to have
taken its toll this year, but the following selections are all
worth checking out.
Will: It wasnt a strong year, to be sure, but its
the year where looking a bit harder was really rewarded. Theres
plenty of eclectic releases in various styles and its all
more accessible because of iTunes and other legal (and illegal)
electronic media. What Im waiting for is the iPod equivalent
of a mix tape - when someone figures that out, theyll be
on to something.
Since Will and Scott only have three albums on their lists in
common, lets go Casey Kasem style after the jump
Will's #10. Rubber Factory - The Black Keys
Hidden in the hype of the equally great White Stripes, the Black
Keys have made two-man neo-blues their own. It's much closer to
Chicago blues than Jack and Meg's rockier take. Their third album,
Rubber Factory shows a more expansive sound, a bit more inclusive
songwriting, and deserved more airplay. "10 A.M. Automatic"
is one of those songs that would sound so great playing out of
a convertible or maybe one of those new retro Mustangs.
Scott's #10. 10. Antics- Interpol; The Libertines- The Libertines;
Tyrannosaurus Hives- The Hives
I listed these 3 together, as they all put out sophomore releases
this year and while none of them lived up to their debuts, they
all put out interesting stuff. Interpol uses its Joy Division-influences
to create a driving atmosphere, which sounds like it was made
in a sweaty club in NYC. The Libertines are the latest of The
Clash sound-likes (see Rancid, etc.), but they don't try to hide
from it, considering the CD's producer is Mick Jones. With the
drug demons that frontman Pete Doherty suffers from, this might
be the last release for the Libertines. From their crazy matching
outfits to their over the top live performances, The Hives are
the most energetic bunch of garage rocking Swedes you will ever
see. I believe all 3 groups have had quality releases in 2004,
but if this is your initial experience with these bands, go with
their debuts, first.
Will's #9. Lonely Runs Both Ways - Alison Krauss and Union Station
It takes several listens for all the subtlety of a AKUS album
to sink in, but this effort is as good as anything they've ever
done. That's saying a lot. Krauss' spare but emotive voice is
in perfect form and the band is as amazing as ever. There's more
gothic flavor underneath some of the songs as the group takes
bluegrass places it may never have been before. If you haven't
given AKUS a listen because you think bluegrass isn't for you,
give this a listen. If you haven't been converted by the time
"Gravity" fades out, there's not much hope left for
you.
Scott's #9. 9. Afterglow- Sarah McLachlan
Her first new effort in 7 years has all the majestic music and
sensual voice that you've come to expect from the founder of Lilith
Fair. While there isn't a great single on the level of Possession,
Building a Mystery, or Adia, Afterglow is the most consistent
from start to finish of her career. The beauty of her music has
often masked the darkness of her lyrics, which has kept her from
the critical claim some of her peers have received more of.
Will's #8. The Revolution Starts ... Now - Steve Earle
Let's look past the obvious politics of the album and stick to
the music. Earle is one of few people following the path Hank
Williams blazed. Funny, since his 1986 album "Guitar Town"
was the first volley of the neo-traditionalist movement. Populist
sentiments, working man stories, and even some laughs fill this
album, making it reminiscent of a twangier Springsteen. "Home
To Houston" is bloodcurdling, drawing the listener deeper
and deeper. This album deserves a real listen.
Scott's #8. Shake the Sheets- Ted Leo and the Pharmacists
Hard to classify Leo's music, but if I was forced I would say
it's power-pop with a punk edge. Smart lyrics, infectious guitar
licks, Ted Leo has that Elvis Costello/Nick Lowe/Graham Parker
late 70's/early 80's sound that I can not get enough of. (Check
out his last 2 releases, Hearts of Oak and Tyranny of Distance
also.)
Will's #7. Musicology - Prince
My admiration for Prince is certainly no secret. This album, his
return to the spotlight, is a worthy successor to his purple legacy.
Twenty years since "Purple Rain," Prince is back to
making music and leading a band. The songs are stronger for being
selected. Between his contentious exit from Warner to "Musicology",
Prince had a tendency to err on the side of quantity. There's
no filler on this album, but plenty for the new jack soulsters
like Usher to try and bite on their next album.
Scott's #7. Van Hunt- Van Hunt
While Usher dominated the radio, this was R&B's best release
of this year. While a lot of people rejoiced in Prince's Musicology,
the best Prince album was done by Van Hunt. Like the purple one,
he plays all the instruments and he got a thing for Sly Stone,
but Van Hunt's debut has ballads like "What Can I Say"
that Prince hasn't produced in more than a decade.
Will's #6. Absolution - Muse
I have to thank Scott for turning me onto this one with a post
right here. Muse is the smartest of the Radiohead-Coldplay descendants
flooding the market. This album has paranoid undertones yet still
manages to rock out. The video for "Time Is Running Out"
recalls "Dr. Strangelove" in all the right ways. The
world may often feel like it's ending, but there's time to rock
out on the war room table for a few minutes a day. It's escapist
rock that doesn't quite let you turn your brain off.
Scott's #6. Chariot Stripped- Gavin DeGraw
Ok, I'm cheating a little here, as the original of this disc was
released in 2003, but the stripped version, which contains a bonus
disc of acoustic versions came out in July of this year, so I'm
going with it. (I told you 2004 was lacking.) While other male
singer-songwriter's have burst onto the scene (John Mayer and
Jason Mraz) DeGraw is the best of the bunch. DeGraw has echoes
of a young Billy Joel, with Chariot being his "The Stranger."
Will's #5. In Keeping Secrets of Silent Earth:3 - Coheed and
Cambria
This is a real love or hate album. The lead vocals come in differently
than anything I've heard and take some getting used to. The music
sounds at first listen like a harder emo band, one of the dime
a dozen post-punk bands whining their way through an album, but
it's deeper and stronger due to pristine production. The lyrics
are pure science fiction, a story most won't follow about deicide,
the potential destruction of the earth, serial killers, and forbidden
love. There's a comic book if you really want to keep up. Somehow,
it works, making CoCa the most potent descendent of Rush around.
Scott's #5. You are the Quarry- Morrissey
I should mention first that I'm not a huge fan of The Smiths and
feel they are a bit overrated. (Meat might be murder, but a Hardee's
Monster burger sure tastes yummy.) I don't know if he's been inspired
by his new found Mexican male worshipful fans, but whatever it
is, he has put out a great release. Dramatic, with pointed lyrics,
plus a killer backup band, you don't have to be a Morrissey-manic
to love "You are the Quarry".
Will's #4. How To Dismantle An Atomic Bomb - U2
Classic U2. From the driving power of "Vertigo" to the
last echo of Edge's guitar in "Yahweh," there's no mistaking
this album for anything other than a U2 album. It's too serious,
often preachy, echoes the last album a bit too much at times,
yet still manages to stay in your head, which is probably nodding
to the beat. No, it's not their best album and no, it doesn't
break any new ground, but it does exactly what it sets out to
do. This album simply rocks.
Scott's #4. How to Dismantle an Atomic Bomb - U2
The world's greatest band, U2 has figured out there's no shame
in doing what you are best at. I will be doing a more lengthy
review of this release and career retrospective of the group,
so be on the lookout for that.
Will's #3. College Dropout - Kanye West
West stays truer to hip-hop than Outkast did last year with "Speakerboxx/The
Love Below", but his first solo outing didn't try to reach
quite as far. Instead, he uses the genre to turn itself inside
out. It's an unrelenting yet subtle attack on the culture of consumerism,
anti-education, and non-support. "All Falls Down" is
lyrically brilliant and builds off - of all things - an acoustic
Lauryn Hill groove. "Through The Wire," recorded just
after West's near-deadly car wreck, is nearly a gimmick song.
He's rapping with his jaw wired shut and his trademark soul-on-speed
sample dominates. Instead of gimmick, it comes off as life-affirming.
What other artist could end his first hit with "wear your
seatbelt" and not get laughed at? West picks up the mantle
Jay-Z dropped in 2004.
Scott's #3. Snow Patrol - Snow Patrol
They have been lumped in with the Coldplay's and Travis' (not
too bad company), but they really are too diverse to fit that
description. "How to be Dead" sounds like something
Molly Ringwald would have been walking to after her heart was
broken in some John Hughes film. "Spitting Games" is
a great new wave ballad and "Wow" is what Ned's Atomic
Bin always hoped it could produce.
Will's #2. American Idiot - Green Day
Green Day making a concept album? Sure, it's a long way from "Dookie"
but the unexpected is often the best music. An epic that's been
described as both a political statement and the education of a
punk, it has a bit too much filler to be truly great as rock opera.
Still, the two tentpoles of the album, "Jesus of Suburbia"
and "Homecoming" rank with the best "punk"
(whatever that means now) music. Green Day has always followed
in the footsteps of Bad Religion and The Clash. Finally, they're
worth mentioning in the same breath.
Scott's #2. Absolution - Muse
If Radiohead were focused on just rocking out, they would be Muse.
While under the radar screen in the US, Muse sells out stadiums
in Europe as people have gotten the word that the band has a sonic
sound on the level of Queen. Listening to lead singer Matt Bellamy
makes you realize how close Thom Yorke and Rufus Wainwright sound-alike.
It's pretty remarkable when a band can go from baroque style ballads
to the band kicking so hard that you can visualize dancers grinding
on their stripper's pole to it. Have you ever wondered what "The
Bends" would have sounded like in 2004? Look no farther.
Will's #1. Smile - Brian Wilson
It's 35 years late and still ahead of its time. The "teenage
symphony to God" dazzles the ears and really deserves a focused,
full listen. It's beyond the point where it needs singles and
while there might have been a couple in 1968, it's more a single
piece than even "Pet Sounds." There's an element of
might have been while listening, but it's no retro sounding record.
As a fully realized vision, "Smile" holds up even under
the hype in the way nothing like it ever has. Usually waiting
for something so long - "The Basement Tapes" or "The
Black Album" come to mind - make the expectations too high.
This is masterpiece, an album that will live another 35 years
or longer.
Scott's #1. American Idiot - Green Day
Hey, I'm as shocked as you. I don't how these guys have done it
as nothing in their past work would've hinted that they could
make such a great work as this one. I have seen reviewers mention
that Green Day has followed the concept album route of Pink Floyd
or The Beatles, but to me this has a style more like "The
Who Sells Out". Beginning with the title blast, which takes
a direct shot at how many Americans follow a "redneck agenda"
in life, American Idiot tells a story, while at the same time,
providing a sound that all rock engineers should study. Sure,
American Idiot isn't traditional punk music, but what Green Day
has accomplished trumps most of the genre as they've brought musicianship
to the party while still keeping their edge.
Will's Honorable Mentions:
Hot Fuss - The Killers (The best Duran Duran album in years.)
Tambourine - Tift Merritt (Like Maria McKee came back. If Merritt
isn't the next Faith Hill, there's no justice in the world.)
Futures - Jimmy Eat World (A great second album. #3 will make
the big list, no doubt.)
A Ghost Is Born - Wilco (Not the best Wilco, but better than almost
anything else.)
Abbatoir Blues - Nick Cave (Always interesting, Cave is best when
black. Everything Tom Waits album should have been. Someday, I'll
get the dream album I have made - Metallica playing the songs
of Nick and Tom.)
Best 1991-2004 - Seal (I hate putting greatest hits packages on
best of lists, but Seal is underrated. This package reminds us
of what a unique talent he is.)
Scott's Honorable Mentions:
Best single of the year was Franz Ferdinand's Take Me Out. Some
other great singles were part of their excellent debut.
The best pop album of the year was by the Scissor Sisters. Compared
to Elton John at his most over the top, I think more of a disco
Leo Sayer, but whatever you hear, realize that these guys could
make the world's biggest homophobe want to prance.
Best cover album is A Perfect Circle's "Emotive". Maynard
James Keenan brings a different, softer side to what he's done
with this band and Tool, but it really works, especially on the
beautiful version of "Imagine".
Best live album is Joe Jackson's Live:Afterlife. Jackson is one
of the most underrated performers in music history and after touring
for over 25 years, Jackson reunites with his original band, for
the first time in 23 years.
Biggest surprise of 2004 to me was JC Chasez's "Schizophrenic."
While Justin Timberlake received lots of credit for his 2003 solo
release, it was another N-Sync alum that made a really great debut.
Raunchy, edgy, this is the second best Prince album of 2004. Yes,
I know that sounds like blasphemy, but check it out, before you
judge me on this.
The top Country artists of 2004, were Mindy Smith, Tift Merritt,
and the always great Kasey Chambers.
The best reissue of 2004 was Brian Wilson' "Smile".
I know that it was recorded over the past year, but since the
songs were written in 1966, I have a hard time putting it on this
year's Best of list. Whatever category you think it should be
under, pick up "Smile" to hear how great a pop masterpiece
can be.
No, there's no Clay Aiken or Lindsay Lohan on this list. If you
honestly expected they would be, may we humbly suggest looking
elsewhere for your bloggy entertainment fix? We'd love to hear
your favorites and suggestions for things I missed in comments.
Cam kicks it old school
(12/22/04) The
San Francisco Examiner
Cameron Diaz and Justin Timberlake were spotted toasting
Diaz's new digs at the Mel's Diner on Sunset Boulevard. It's no
coincidence the "Shrek 2" star decided to celebrate
at a '50s diner since her new home -- a three-bedroom, three-bath
lovenest in the Hollywood Hills she's reportedly planning to share
with Timberlake -- was also built in the early 1950s. HelloMagazine.com
reports Diaz paid about $2.7 million for it.
Solo Act
(12/22/04) People
Speaking of the holidays, it looks like JC Chasez will
be spending them without his Desperate Housewife squeeze, Eva
Longoria. "She's gonna be with her family, I'm gonna be with
mine," he tells us. The former 'NSync-er recently returned
from London, where he was recording a follow-up album to his solo
debut, Schizophrenic. "I gotta say, the guys over there just
work differently than the people here," he says. "The
studios are a lot smaller, so it's a lot more ghetto fabulous
but I feel like that's good in a way, because it makes
you get dirty and grimy and put your heart and soul into things.
Not being comfortable is good in a way. When you get too comfortable,
you get complacent."
Brittany invests in Britney's possessions
(12/21/04) Ireland
On-Line
Actress Brittany Murphy may spell her first name slightly differently
than Britney Spears, but the 8 Mile star is happy to follow in
the pop princesss footsteps in other ways.
Murphy, who became a tabloid favourite herself when she dated
Ashton Kutcher in his pre-Demi Moore days, splashed out nearly
€4.3m on Spears Hollywood Hills apartment and struck
a deal to keep all the singers furniture and fittings.
Spears owned the place when she was still dating Justin Timberlake
and she left behind many mementoes of their time together. Now
Brittany is apparently leaving everything just as it was when
the other Britney departed.
When Britney and Justin had the house built, they furnished
it themselves, one source told the New York Post. When
they split up and moved out, they left everything as it was.
Brittany didnt change anything. Theres still Justins
black baby grand piano, which Brittany has been using. She likes
living with Britney and Justins old stuff. She doesnt
think this is strange at all.
Music Provided Best Jawdroppers of 2004
(12/21/04) Myrtle
Beach Online
Associated Press
Maybe 2004 seemed more scandalous than past years because we
had double the ingredients: Two scandalous Jacksons! Two ditsy
Simpsons! Two Britney weddings!!
Was it double the fun? Only if you delight in cringe-worthy moments.
Here's the rundown of the wacky moments only the music industry
could provide:
A SIMPLE "NOT GUILTY" WOULD HAVE SUFFICED: As if the
former King of Pop's legal troubles weren't surreal enough, Michael
Jackson made it weirder - as you knew he would. After one courtroom
appearance, he jumped on top of an SUV to wave to adoring fans,
then proceeded to shimmy like it was an outdoor concert. Or maybe
that's what his lawyers told him to get him to show up.
BAD CAREER MOVE OF THE YEAR: Though we could keep it in the Jackson
family and give it to baby sis Janet for her Super Bowl mammary
display, the winner is Ashlee Simpson's performance malfunction
on "Saturday Night Live." She got lip-sunk when the
music and her vocal track went their separate ways, revealing
that she wasn't really singing. Given her vocal abilities, faking
it probably would have been a smart move.
BREAST IN SHOW: Janet Jackson's striptease made her bare breast
so famous, most Americans could pick it out of a lineup. But instead
of boosting her upcoming album, she saw her A-list star power
downgraded to B-minus. By midyear, she was doing "Will &
Grace" to get publicity - and her album didn't even break
platinum.
TIMBER-FAKE: If you're going to boldly expose a woman's breast
on TV, be a man and stand by it! Instead, bodice-ripper Justin
Timberlake - who initially laughed about it backstage to TV
cameras - later professed to be shocked and embarrassed after
the outrage threatened to keep him of the Grammy telecast. Once
a Mouseketeer, always a Mouseketeer.
EVEN J.LO MARRIES JUST ONCE A YEAR: Britney Spears has had many
"Oops!" moments - most of her albums, for example -
but she topped herself with two tacky nuptials that even Star
Jones Reynolds would have disavowed. The first, to childhood buddy
Jason Alexander, after a late-night in Las Vegas, could maybe
be excused to wild youth - especially since it only lasted 55
hours. But what's her excuse for the second, to backup dancer
Kevin Federline, who left his babymama for her? Brit even bought
her own engagement ring, though Federline will surely pay her
back - once she gives him his allowance.
TIL RATINGS DO US PART: Jessica Simpson and whats-his-name gave
us yet another season of "Newlyweds" despite constant
tabloid talk of marital strife ("Nick Cheating Scandal!"
"Jessica Not Wearing Ring!"). But hey, even if they
do part ways, there's always "The Exes" as a reality
show option.
THE MOST FAMOUS NO-TALENT SINCE PARIS HILTON: William Hung was
the joke that wouldn't end. Not only did his mangled version of
"She Bangs!" make him the most famous "American
Idol" reject since Frenchie, he parlayed his vocal handicap
into a music video, concert appearances and even his own album.
Somewhere, Justin Guarini is crying.
FEUD OF THE YEAR: You'd have thought Michael Jackson still had
a career given the fit he pitched when Eminem mercilessly parodied
him in the video for "Just Lose It." But it's hard to
call this one a feud when Eminem wisely decided to let Jacko implode
on his own. No, the award here goes to R. Kelly and Jay-Z, who
already didn't like each other that much when their joint tour
kicked off in the fall. They ended up in a bona fide hatefest
after R. Kelly fled the stage for no good reason in New York City,
then was allegedly maced in the face by one of Jay-Z's posse.
Happy people, indeed.
BEST WAY TO SPEED UP AN AWARDS SHOW: There were more empty seats
that A-list stars at the Vibe Awards - many bolted after someone
punched Dr. Dre in the face and a chair-throwing melee ensued.
Note to Grammy staff: Keep R. Kelly and Jay-Z a few rows apart
in 2005 ...
La Dolce Musto
(12/21/04)
The Village Voice
The Mr. Gay.com Universe contest at Crobar brought out a queer
quintet of dazzling international contestants chosen, I imagine,
based on the profound literary value of their personal ads. They
were five of the hottest versatile bottoms since *NSYNC.
And what testes! The North American contestant even had his parents
there, which must have been embarrassingnot because of anything
sexual, mind you, but because he admitted onstage that he's a
huge fan of NEIL DIAMOND. The winner was a mystery hombre from
Spain (occupation: "living life") who proved he has
exactly what it takes to be a beauty queen with his dazzling acceptance
speech: "Thank you very much!" (Oh, fuck, he was cute,
who gives a gay rat's ass?)
The emcee was GRAHAM NORTON, whose Comedy Central chat show was
bumped faster than BERNARD KERIK, though he told me backstage
that he's not mad, the show will resurface soon on a different
network (BBC, I hear), and he adores, you know, living life. Norton's
currently visible in a nativity tableau at London's Madame Tussaud's,
thanks to another contest, whereby the public supposedly voted
on which celebs' wax representations they'd like to see in that
once-sacred scene. "I think they just put people who fitted
the costumes," Norton told me, skeptically. "It's so
random. The public voted me, SAMUEL L. JACKSON, and HUGH GRANT
as shepherds, I'm so sure!" And God-fearing PRESIDENT BUSH
wound up in the mix too, I pointed out. "As a wise man!"
he shrieked. "Maybe Americans voted for that, but definitely
not the British!"
TIMBERLAKE BECOMES A GINGERBREAD MAN
(12/18/04) contactmusic
Pop hunk JUSTIN TIMBERLAKE provided ELLEN DeGENERES with a sweet
treat yesterday (17DEC04), when he appeared on her show dressed
as a gingerbread man.
Earlier this month (DEC04), DeGeneres kicked off her 12 Days
of Giveaways drive, in which she handed her studio audience Christmas
gifts hauled out by a mystery gingerbread man each day. When the
12 days of handouts came to an end on Friday, DeGeneres decided
to make an enquiry about the man under the comstume, and pulled
away the mask to reveal Timberlake, prompting wild screams from
the women in the audience.
Feigning shock, DeGeneres said, "Wow. I had no idea that
Justin Timberlake would do something like this."
Timberlake, who declared he felt "sexy" in his costume,
then brought out a coustume for DeGeneres to dress up as a glass
of milk, before the pair danced to MC HAMMER's 1990 hit U CAN'T
TOUCH THIS.
When the leader of the pack goes solo
(12/17/04) Tampabay
By Gina Vivinetto
Remember when George Michael cheerfully assured the world in song:
Wake me up before you go go
I'm not planning on going solo
Well, Michael lied, and good for him. Everybody knew back in
the early 1980s that Wham! , the pop duo Michael sang in, was
really all about him. He wrote all the songs and had the great
voice. That other guy -- whose name was Andrew Ridgeley , by the
way -- just rode on his coattails.
So, when Michael decided to release the 1985 solo single Careless
Whisper while still in the band, it made artistic sense.
Why do artists in groups go solo? Because he or she a) has all
the talent (see above); b) feels limited creatively by the band
(see Justin Timberlake ); c) possesses huge ego (see David Lee
Roth ).
Musical artists need to feel stimulated to stay creative. Sometimes
that means leaving the safety of successful groups to see what's
out there. Two who've recently done so, and have new albums out,
are Destiny's Child frontwoman Beyonce and Gwen Stefani , lead
singer of No Doubt .
Stefani's Love. Angel. Music. Baby. is her first solo foray,
and it's a complete departure from the sound of the ska-rocking
No Doubt. Filled with sassy dance music, it's, as Stefani describes
it, her chance to delve into the R&B, funk and New Wave sounds
she adored while growing up in Southern California.
Why would a star go back to a group after scoring huge solo success?
Good question. Everyone's asking it.
In Stefani's case, it could make sense. Love. Angel. Music. Baby.
is so different from the music she has been making for 17 years
with No Doubt, it's a bona fide solo project.
Beyonce's solo music, however, is in the same sultry contemporary
R&B vein as Destiny's Child's. Crazy In Love , her duet with
real-life boyfriend Jay-Z, or Baby Boy, both hits, could easily
have been Destiny's Child smashes. Little wonder: Beyonce writes
and sings the material for both ventures. It all sounds the same.
Kelly and Michelle are her Andrew Ridgeleys.
So, why'd she go back?
An article in this month's Ebony magazine suggests Beyonce, who's
also a movie star, a pitchwoman for L'Oreal and is developing
a fashion line with her mother, designer Tina Knowles , went back
to the group because, basically, sisterhood is powerful.
Helping out your pals is charitable. It's nice.
What it isn't, however, is artistically smart.
Destiny Fulfilled is a weak album. Beyonce's tunes are nowhere
as bouncy as they've been in the past.
What if, for old time's sake, George Michael returned to Wham!
to record one more album with less talented pal Ridgeley?
What if, because he's a sentimental softie, Timberlake,
who has proved he's leagues beyond his old mates, returned to
do an album with 'N Sync ?
The only place for charity in art is at benefits and auctions,
quick efforts that don't take huge chunks of your time and creative
energy.
Otherwise -- Beyonce, hear this! -- you end up with lousy albums
in your back catalog. Worse than that, you confuse your fans and
potentially slow down your career momentum.
New rap
(12/17/04) Nashville
City Paper
Whatever you might think of his various endeavors (and he has
been all over the television universe lately), Snoop Dogg's current
single "Drop It Like It's Hot" is fabulous. Indeed,
the song is so good that it seems impossible he would have any
more like it on his latest release R&G: Rhythm & Gangsta:
The Masterpiece (Geffen), but there are several others that come
close. These include the two collaborations with Bootsy Collins
"Can I Get A Flicc Witchu" and "No Thang On Me,"
Charlie Wilson's salty contribution to "Perfect" and
50 Cent riding in with his rhymes and patter on "Oh No."
While one might question how much Justin Timberlake adds
to what Snoop and Charlie Wilson are doing on "Signs,"
there's far more nuggets than junk on Snoop's CD, something that
can't be said about several of his colleagues.
Champion Boxer Glen Johnson Goes 12 Rounds with Batman
(12/17/04)
Businesswire
BEVERLY HILLS, Calif.--(BUSINESS WIRE)--Dec. 17, 2004--The Wonderful
World of Animation (WWA) art gallery personally delivered two
animation art pieces to World Champion Boxer Glen Johnson, while
he was in Los Angeles for his upcoming fight at the Staples Center.
Johnson, a self-confessed Superheroes fan, chose a signed Batman
and Two-Face production cel and a Mr. Bean production drawing.
WWA's President, Debbie Weiss notes, "The opportunity to
call Glen Johnson a client is very exciting for our gallery due
to the fact there is a huge amount of cache and promotional power
behind celebrities owning products, especially niche items like
animation art." Gallery Director, Kamaren Henson adds, "Animation
art is becoming more and more recognizable as a serious collectible.
Many celebrities have visited our gallery this year in search
of the perfect piece for them! We're thrilled to know that Glen
Johnson is a collector too!"
The Batman cel is from TV's "Batman the Animated Series,"
and was signed by Directors Paul Dini and Bruce Timm and also
award winning writer Alan Burnett. The Mr. Bean production drawing
was used in the popular British T.V. show, "Mr. Bean: The
Animated Series."
Johnson is looking forward to a $1 million payday for his fight
this Saturday, December 18th against Antonio Tarver at the Staples
Center. However, "Gentleman Glen" Johnson isn't one
to gloat; he came from a culture he says taught him "self-praise
is no recommendation." He was quoted recently as saying:
"I'm not the best. I'm just the guy willing to fight the
best." Many believe Johnson's conditioning can keep him humming
for four years.
WWA art gallery is one of the world's leading animation art galleries.
WWA specializes in original animation and has over 6,000 pieces
from a variety of animation art studios including Fox, Disney,
Chuck Jones, Cartoon Network and Warner Bros. WWA is an award-winning
gallery and is distinguished as the largest U.S. Simpsons gallery.
Celebrities who have pieces from Wonderful World of Animation
include: actress Sarah Wynter ("24"), actor Simon Rex
("Scary Movie 3"), supermodel Shalom Harlow, actress
Sarah Gilbert, entertainment correspondent Dave Holmes, celebrity
personality Rosie O'Donnell, actor Justin Berfield ("Malcolm
in the Middle") and more. In addition, attendees at WWA's
events have included JC Chasez (*NSYNC), Ron Livingston
("Sex & the City"), Traci Bingham ("Baywatch"),
Jon Abrahams ("Boston Public"), Elizabeth Banks ("Seabiscuit,"
"Catch Me If You Can," "Spider-man"), Jim
Turner ("Arli$$"), Tito Puente, Jr. (Son of "El
Rey del Timbal", Tito Puente, Sr.), Jacob Vargas ("Traffic"),
Lyndsy Fonseca ("Young and the Restless"), Kyle Cease
("Not Just Another Teen Movie"), and Katherine Helmond
("Everybody Loves Raymond").